![]() ![]() Yoruba dance: The semiotics of movement and body attitude in a Nigerian culture. Petit Valley, Trinidad: Heritage Cultures.Ījayi, O. Cradle of Caribbean dance: Beryl McBurnie and the Little Carib Theatre. Petit Valley, Trinidad: Heritage Cultures.Īhye, M. Golden heritage: The dances of Trinidad and Tobago. This process is experimental and the keywords may be updated as the learning algorithm improves.Īhye, M. These keywords were added by machine and not by the authors. Even though the dancing body yields essentially expressive culture from the aesthetic domain, it is often a nexus to religious, political, and even economic dimensions of social life. As a form of aesthetic, social behavior within hundreds of African and African-derived societies, dancing is revered for its individual as well as group benefits.Īfrican diaspora dance performance is centered within the articulate human body. It communicates to performers and observers alike, either independently or interdependently, in a nonverbal, multichanneled manner. Dance/music has the capacity to symbolize the full range of human endeavor. Dance/music, then, is that dimension of human performance that involves a relationship between rhythmic musical sound and purposeful, expressive movement. ![]() ![]() “Dance” in the African diaspora is defined most often within its relationship to “music” dance is music and music is dance for many African and African-derived populations. ![]()
0 Comments
Leave a Reply. |